Film Review: Lumberjack the Monster (2023) – When a Monster Wants to Be Human

 


Lumberjack the Monster (Original Title: Kaibutsu no Kikori) | 2023 | 1h 59m
Genre: Crime/Horror/Thriller | Country: Japan
Director: Takashi Miike | Writers: Hiroyoshi Koiwai, Mayusuke Kurai
Cast: Kazuya Kamenashi, Nanao, Riho Yoshioka
IMDB: 5.9
My Rate: 7/10

After surviving an attempted murder, Akira tries to find out who the mysterious killer targeting him is. His search reopens a dark past that turned him into a psychopath.

Warning:

Contains scenes of violence, self-harm, smoking, and alcohol.


Synopsis:

A series of murders takes place in Japan, where the killer targets victims’ heads using an axe as a weapon. The murderer hides behind a mask known as “Lumberjack Monster.” The police begin to look for the hidden meaning and connection between each case to track down the culprit.

Akira, a well-known lawyer, suddenly becomes the killer’s next target. However, he hides this fact from the police. Akira races against time to find the culprit and avenge himself.

A wound on his head reveals a secret: a chip implanted in his brain. The chip is slightly damaged, and it causes changes in Akira’s attitude and behavior — he who once had no empathy at all. The search doesn’t go smoothly, especially when the police begin to suspect him.

Will Akira be able to find the real killer — or will he end up discovering the monster hiding inside himself?


Review:

Imagine a mysterious killer wandering through your city. Panic spreads slowly like fog, creeping into every corner, while even the police lose their sense of direction in uncovering the truth. Lumberjack the Monster, adapted from Mayusuke Kurai’s novel Kaibutsu no Kikori, brings an intriguing premise about terror, identity, and the dark side of humanity. It’s not a crime film filled with gore and blood, but rather a journey deep into the human mind — because not every psychopath becomes a criminal.

The story begins with a child reading the tale of Lumberjack the Monster — a dark fairy tale that becomes the red thread connecting all the events. The Lumberjack mask worn by the killer isn’t just a disguise to hide his identity, but a reflection of the turmoil inside him, mirroring the story of the character itself.

Character introductions are done carefully, never rushed. Their eyes, body language, and tone of voice all hold subtle but meaningful clues. Akira Ninomiya, the lawyer, appears calm yet filled with hidden menace — a man living without empathy. This is clearly shown when he kills his stalker without any expression, without remorse.

The female police officer, an important supporting character, is introduced through her suspicions toward Akira. However, the character who should’ve been a pillar of rationality in the story feels rather weak. Her bravery isn’t fully convincing, and her expressions lack the assertiveness needed. In several scenes, the absence of professional aura slightly dulls the tension.

Even so, the film manages to keep a steady rhythm. The conflict grows in sync with the awakening of humanity within its characters. Akira’s inner turmoil — between his cold side and his fragile humanity — flows naturally without much verbal explanation. Subtle changes in his expression, long silences, or blank stares successfully portray his complexity. Guilt and sorrow begin to seep into him, delivered convincingly through Kamenashi’s performance. He portrays a man who’s just learning to feel sympathy — and is terrified of it.

The ending ties all the mystery pieces neatly together, closing with the same fairy-tale narration that opened the story — bringing the circle to a graceful close. We don’t just see how a crime is solved, but also how a man struggles to understand what it means to be human.

There’s still room for improvement — especially in exploring Kenmochi’s character and trimming scenes that don’t add much meaning. Still, Lumberjack the Monster delivers a strong psychological experience, showing that empathy and logic often walk two separate paths that rarely meet.

“He just wanted to feel the same emotions as other humans.”


Memorable Scene:

Kenmochi admits feeling guilty about his wife’s death — a woman who deeply loved and trusted him. In this scene, we see how his regret becomes the reason he tries to change. Sometimes, we have to lose something to realize how much it meant.

 

Memorable Dialogue:

“Even if you became normal, your sin wouldn’t vanish.”

 

Ending:

Sad Ending


Recommendation:

Worth to Watch

(Aluna)

 


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