Film Review After The Quake (2025) – Four Quiet Stories Behind an Earthquake That Never Truly Ends

 

After The Quake | 2025 | 2h 12m
Genre: Drama | Country: Japan
Director: Tsuyoshi Inoue | Writers: Haruki Murakami (novel), Takamasa Oe
Cast: Ai Hashimoto, Yui Narumi, Masaki Okada
IMDB: 5.2
My Rate: 7/10

The 1995 Kobe earthquake brings four mysterious stories that unknowingly connect across different times: Komura who loses his wife, Junko who finds peace in an unexpected interaction, Yoshiro who questions his existence, and Katagiri who once again tries to save Tokyo.

Warning:

Contains violence, harsh language, smoking, and sensual content


Synopsis :

A few days after the Kobe earthquake in 1995, Komura discovers that his wife has mysteriously disappeared from their home. In his attempt to calm his mind, he meets two women who behave strangely and mysteriously. In that place, he hears about UFOs that in his imagination might be the cause of his wife’s disappearance.

In 2011, close to the anniversary of the 1995 earthquake, Junko who ran away from home has a strange interaction with one of her customers. They spend the night in front of a bonfire that seems to become a countdown toward the death they long for.

In 2020, Yoshiya who decides to leave the cult where he grew up returns to attend the death of the cult leader. The reason he left before was because he hated the belief that said he was the child of God and therefore was forced to become a volunteer during the 1995 earthquake. Yoshiya wants to search for the real truth about himself and his past.

In 2025, Katagiri is shocked by the appearance of the giant frog who once fought beside him in 1995 to stop an earthquake in Tokyo caused by the anger of a giant worm. That anger rises again and threatens Tokyo. That is where Katagiri is asked to fight once more.

Will they succeed in making peace with themselves?


Review :

After The Quake is a film adapted from Haruki Murakami’s short story collection Kami no Kodomotachi wa Mina Odoru. Unlike the book which has six stories, the film only adapts four of them: UFO in Kushiro, Landscape with Flatiron, All God's Children Can Dance, and Super-Frog Saves Tokyo, while Thailand and Honey Pie are not included in this film.

Murakami’s signature style still feels very strong in this film, almost similar to other works that have been adapted such as Norwegian Wood. The story may not be easy to immediately understand and can feel strange, but that is exactly where its charm lies—through symbols and implied meanings. Something that seems absurd, yet holds depth that slowly reveals itself.

The film opens with a conversation narrative telling the myth of a man and a frog trying to defeat a giant worm in order to protect Tokyo from disaster. This story is then brought back again at the end, as if becoming the final piece that completes the whole story. This presentation makes the audience feel like they have found a puzzle that is finally fully assembled.

Even though the four stories look very different from one another, the main idea they carry feels similar: the emptiness experienced by the characters and the search for identity that leads to an ending that gives a strange sense of satisfaction. The 1995 earthquake that constantly appears in every story becomes a unique connection, strengthened by a clear timeline so it still feels easy to follow.

Technically, the camera movement, presentation of details, and transitions between scenes are shown neatly. The acting from the characters also feels natural, without being excessive. There are no explosive scenes or adrenaline-pumping moments, everything moves in a calmness and silence that slowly cuts deep—leaving an impression that lasts longer.

Another strength of this film lies in the balanced division of the story portions. Every part is worked on seriously, without any section feeling heavier or neglected. Because of that, the whole film does not feel carelessly made.

After The Quake is not just a collection of stories combined into one film, but a quiet journey about humans trying to understand loss, belief, and themselves. Through strangeness that feels familiar and calmness that slowly cuts deep, this film does not offer definite answers, but instead space to reflect—that between emptiness and unanswered questions, perhaps that is where the meaning of life begins to form.


Memorable Scene:

One of the simple yet deeply meaningful scenes in After the Quake is when Yoshiya, who has continuously been called the child of God, starts feeling tired of the reality that seems hidden from him. Until a question comes out of his mouth, “If God is always testing us, why are we not allowed to test Him?”

That question does not appear just like that, but is born from the anxiety often felt by humans when they are unable to understand what is happening in their lives. Especially when facing disappointment and suffering. So critical questions begin to appear—not to be ignored or forced into silence, but instead as the beginning of the search for the true meaning of life.


Memorable Dialogue:

“Have you ever thought about how you will die?”


Ending:

Cliffhanger


Recommendation:

Worth to Watch

(Aluna Uwie)


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