Joker and Carrie: How Unhealed Trauma and Rejection Can Change a Person

 

Why can someone become a completely different person from who they once were?

This question is always interesting to explore, especially when we see characters who initially appear fragile, quiet, and seemingly incapable of hurting anyone. Yet as their stories unfold, they gradually become frightening figures.

This is the thread that connects Joker (2019) and Carrie. Although they come from different genres, both films show how prolonged suffering can change the way a person sees the world.

What makes this particularly interesting is that neither film suggests that every victim will eventually become a perpetrator. Instead, both invite us to understand how wounds that are never addressed can develop into something far more dangerous.


Joker (2019): When the World Keeps Telling You, "You Don't Matter"

Arthur Fleck is not a character who is portrayed as a villain from the beginning.

He is a lonely man living under immense pressure, struggling with mental health issues, and repeatedly being treated in inhumane ways. He is humiliated, ignored, and ridiculed, while gradually losing the few reasons he has left to believe that there is still a place for him in the world.

Interestingly, there isn't one single event that turns Arthur into the Joker.

His transformation happens gradually.

One humiliation.

One rejection.

One betrayal.

Everything piles up until it eventually creates an explosion that changes his entire life.

In psychology, this has similarities to cumulative stress—stress that continues to build over time until a person loses the ability to cope with it in healthy ways.


Carrie: When Rejection Comes from Home and the Outside World

If Arthur loses his sense of safety in society, Carrie White doesn't even have it at home.

She grows up with an extremely controlling mother, lives in fear, and is bullied at school almost every day. There is nowhere that truly makes her feel accepted.

What makes Carrie's story so tragic is that she only wants something simple.

To be accepted.

To have friends.

To be like other teenagers.

Yet every time she allows herself to hope, reality gives her another wound instead.

Eventually, the anger she has kept buried for so long erupts in one event that changes everything.

The film shows how prolonged social rejection can destroy a person's sense of trust in the world.


What They Have in Common: Pain That Keeps Accumulating

Despite their different backgrounds, Joker and Carrie follow a remarkably similar pattern.

Neither character is someone who enjoys hurting others from the beginning.

Instead, both are victims of environments that fail to provide them with a sense of safety.

They both experience humiliation.

They both feel alone.

They both lose a place where they can express what they're going through.

In psychology, experiences like these are related to chronic social rejection—repeated social rejection that continues over a long period of time.

This kind of rejection doesn't simply hurt someone's feelings. Research has shown that the brain processes social rejection using areas that overlap with those involved in physical pain. It's therefore understandable that someone who experiences repeated rejection may gradually lose their trust in other people.


The Difference: How They Respond to the World

Despite their similarities, Joker and Carrie develop in different directions.

Arthur gradually develops the belief that society deserves retaliation for everything it has done to him. His anger becomes a critique of a social system that he believes has failed him.

Carrie, meanwhile, is driven more by an eruption of emotions that have been suppressed for years. The tragedy that unfolds isn't the result of a carefully constructed long-term plan, but of pain that she can no longer control.

This difference shows that there is no single pattern that explains why someone becomes violent.

Every person has different experiences, personalities, and ways of dealing with pain.


Understanding Doesn't Mean Justifying

One of the things that makes both films so powerful is their ability to evoke empathy from the audience.

Many people understand why Arthur is angry.

Many others feel sorry for Carrie.

But understanding the causes of someone's behavior is not the same as justifying that behavior.

In psychology, we try to understand why someone acts the way they do. But an explanation does not erase responsibility.

Trauma can explain why someone is wounded.


Trauma does not automatically justify their decision to hurt other people.

This distinction is important so that empathy does not turn into justification.

A More Important Question

Perhaps after watching these two films, the more interesting question isn't:

"Why did they become evil?"

But rather:

"How many people around us are carrying wounds like Arthur or Carrie, but haven't yet reached the point of breaking?"

Perhaps they are children who are bullied at school every day.

Employees who are constantly humiliated by their supervisors.

Or someone who has spent years living in a family that never made them feel safe.

Some of them may continue to endure.

Others may simply be waiting for one final event that causes everything to collapse.


The World Shapes Us, But It Doesn't Define Who We Become

Ultimately, Joker and Carrie remind us that people don't change because of a single event. Change often happens gradually, through small wounds that continue to accumulate without ever truly being healed.

But both films also remind us of something equally important.

Our environment can have a powerful influence on us, but it isn't the only thing that determines who we become. Not every victim will become a perpetrator. Not everyone who grows up in suffering will choose to hurt others.

Because understanding how someone becomes capable of evil doesn't mean treating evil as something normal or acceptable.

Instead, that understanding reminds us that the empathy, acceptance, and care we offer today may help prevent a much deeper wound from developing tomorrow.

Uwie Puspita

 


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